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2009 •
Aim of this thesis is to describe and analyze the EU discourse, as a discoursive practice expressed in the political texts regarding the LLL, in order to examine which factors have affected and acted towards the transformation of the Community ‘discourse’ that resulted into promoting LLL as a fundamental element of the EU policies. In the mid 90’s, under the pressure of external factors such as globalization, knowledge and information society, as well as internal factors such as the Maastricht Treaty (1992), a discontinuity can be observed in the Community ‘discourse’ on education / training. While in the preceding thirty years it was the political and economic targets that manifested the Community actions in regard to education and training, in the 90’s it is the educational / training systems that are put in the focus of EU policies, so that to benefit and support the economic and political EU targets. In this framework, LLL becomes a fundamental political and economic stake of the Community ‘discourse’, a ‘discourse’ that as much as ‘knowledge – power’ or, and most importantly, as ‘truth’, aims to widen the decision-making functions of the EU inter-national political establishment.
MUSEUM MANAGEMENT AND CURATORSHIP
Museum encounters: a choreography of visitors’ bodies in interaction2019 •
By viewing the museum experience as inextricably linked to an interactive nexus of bodies and objects arranged in the museum space, this paper foregrounds the significance of movement in the shaping of museum encounters. Informed by the fields of dance, symbolic interactionism and multimodal social semiotics, it introduces a conceptualisation of visitors’ movement as choreography unfolding either in compliance with the museum ‘script’ (scripted choreographies), or in response to prompts from other visitors sharing the same space (improvised choreographies). Attending to visitors’ positioning and alignment as key resources of movement, the analysis of video data from two London galleries illustrates how visitors oscillate between performing ‘scripted choreographies’ and ‘improvised choreographies’ through shifts in positioning and alignment, while being spectators of other visitors’ choreographies. Both kinds of choreographies are continuously shaped in interaction with the ‘scripted’ museum stage and other visitors’ ‘scripted’ and ‘improvised choreographies’.
2010 23rd SIBGRAPI Conference on Graphics, Patterns and Images
Enhancement of Terrestrial Surface Features on High Spatial Resolution Multispectral Aerial Images2010 •
2007 •
Ciencia Animal Brasileira
Efeito De Medicamentos Indicados Para O Tratamento De Mastite Bovina No Período Seco Sobre Os Índices De Fagocitose2009 •
The Journal of Clinical Endocrinology & Metabolism
17β-Hydroxysteroid Dehydrogenase Type 1 Stimulates Breast Cancer by Dihydrotestosterone Inactivation in addition to Estradiol Production2010 •
Material Design & Processing Communications
Modelling acoustic and electric signals emitted during structural tests in terms of log‐periodic power‐law models2020 •
Canadian Acoustics
A software platform to administer the Canadian Digit Triplet Test2016 •
2013 •
2016 •
2015 •
Journal of Computer Science and Technology
Dynamic Shortest Path Monitoring in Spatial Networks2016 •
2020 •
Journal of Cardiovascular Pharmacology
Effect of Lacidipine on the Carotid Intimal Hyperplasia Induced by Cuff Injury1994 •
Archäologisches Korrespondenzblatt
Deux longs poignards campaniformes dans le lit de la Loire à Cinq-Mars-la-Pile ou Villandry (dép. Indre-et-Loire / F)2021 •