Có 40+ tài liệu thuộc chủ đề "Cách viết phim ngắn"
tailieu.vn Xem trực tuyến Tải xuống
glides off the tips of his fingers, and rolls to the curb.. The dramatic core idea of “The View from Here” is that a 13-year-old boy wants to belong so much that he will run all over the city trying to catch a foot- ball finally thrown to him. It’s a good idea to write down a list of plot...
tailieu.vn Xem trực tuyến Tải xuống
In John Osborne’s screenplay of Tom Jones, the main character is gen- erally a conventional first-person main character but occasionally becomes a second-person main character: at those moments, he turns directly to the screen and addresses the audience.. The same technique of using the main character to narrate is found in Stanley Kubrick’s A Clockwork Orange. Whether it is a...
tailieu.vn Xem trực tuyến Tải xuống
To put it another way, the antirealistic impulse to fantasy runs freely in the narrative. How else can we explain the devotion of these two men to a wardrobe? Or that the balloon takes on more human characteristics than many of the humans in The Red Balloon?. When a balloon becomes the stand-in for a human, the dis- covery of...
tailieu.vn Xem trực tuyến Tải xuống
rather, the writer should try to keep the action in the present and in development, and that means active, present-tense dia- logue. The more immediate the dialogue, the more emotional and the more surprising the story will be.. Remember, when dialogue intended to develop plot is separated from character, emotion is lost, and the dialogue becomes no more than descrip-...
tailieu.vn Xem trực tuyến Tải xuống
GENRES: FORMING THE STORY. Genre is nothing more than the form, the envelope that encloses the characters and structure of the story. In this section of the book, we are going to look at four meta-genres, those that transcend the more specific genres and yet include them. Although we will be using long films to contextualize the different genres, we...
tailieu.vn Xem trực tuyến Tải xuống
Main character and goal Antagonist. The main character and his dramatic action or goal. The main character is a young priest, new to a poor parish. His goal is to be the spiritual leader of the community. The background story gravitates around the issue of the priest as spiritual leader and of the man as a sexual being. The presence...
tailieu.vn Xem trực tuyến Tải xuống
In short, if you use plot, the likelihood is that it will play a dominant role in the script. the New York blackout is more a plot device than plot proper, but it is nevertheless the plot of The Lady in Waiting.. More often, however, when a plot is used it dominates the short script.. Because it does so, it...
tailieu.vn Xem trực tuyến Tải xuống
extreme, that style is represented in the recent “Dogma 95” films, partic- ularly Von Trier’s Breaking the Waves and Vinterberg’s The Celebration. But none of the work has given up those original documentary intentions—to share with the audience a real experience, and to educate more than to entertain. At the heart of the docudrama is the sense of actuality. The...
tailieu.vn Xem trực tuyến Tải xuống
The first question you must answer for yourself has to do with your sense of purpose for the story. Is your goal concerned with politics, education, or information, as opposed to entertainment? A second question has to do with the importance of the event or person you are dramatizing. Was the event critical to history? Was the per- son influential?...
tailieu.vn Xem trực tuyến Tải xuống
Hyperdrama is in many ways far from both melodrama and docudrama.. Although it maintains the basic structural elements and places a conflictual main character against a plot, hyperdrama is the opposite of the tonal real- ism and factual realism so central to the other two meta-genres. In this sense, excessive exaggeration and fantasy are both key ingredients of the hyper-...
tailieu.vn Xem trực tuyến Tải xuống
There is no single antagonist in The Tin Drum. The focus in The Tin Drum is on one family, on its destruction in the period when its progeny, Oscar, chose stunted growth as a defense against Nazism.. manifests itself only in the relationships within Oscar’s family and in the fate of those who have been kind to him—a Jew, a...
tailieu.vn Xem trực tuyến Tải xuống
Style in the Short Film. put the unfolding of a narrative in the service of the moral. Metaphor, exag- geration, unnatural events and characters can all be brought to bear on the moral purpose of the story. Even a filmmaker as grounded in realism as Bergman found in The Seventh Seal (1956), for example, that he had to move away...
tailieu.vn Xem trực tuyến Tải xuống
The consequence of the latter point is that exper- imental narrative works best for those who are innovative with their stories.. When Richard Lester made A Hard Day’s Night in 1965, he was looking for a style that would capture the energy and anarchy of the Beatles. In essentially the first MTV-style major film, Lester created a series of set...
tailieu.vn Xem trực tuyến Tải xuống
But beyond the cursory hanging out together—visiting her grandmother in the hospital and so on—there is no apparent arc to the relationship.. Consequently, in the character layer of this story, there is no clear develop- mental quality. In any case, without linearity, time is not important in the narrative.. Although there are moments of deep feeling—his confession to the Japanese...
tailieu.vn Xem trực tuyến Tải xuống
The short film is an apprentice story form in North America. The purpose of this section of the book is to pose practical and speculative directions that change may take for the short film.. Who would have thought that Martin Scorsese and Spike Lee, who began their careers as student filmmakers, would return to the short film mid- career? BMW...
tailieu.vn Xem trực tuyến Tải xuống
Metaphor, parable, allegory, in short, a more literary approach to narrative is closer to a poetic approach, as opposed to the more realistic approach found in the North American examples mentioned earlier.. THE IMPORTANCE OF THE SHORT FILM. The short film is crucial, not simply as a format suitable for portfolio devel- opment. It is important for three enduring reasons:...
tailieu.vn Xem trực tuyến Tải xuống
VINCENT’S HOUSE. (V.O.) (CONT.) And in my village there are various types of people: old people and young people, nice people and nasty people. BOY 1 Pixie Blue Cap!. (sings aggressively, provocatively) Little Pixie Blue Cap. Despite the heat he is wearing a thick, bright blue cap with earflaps. When the boys get closer he holds on to his blue...
tailieu.vn Xem trực tuyến Tải xuống
It’s full of perfectly displayed baseball cards.. Oh, Baseball Cards. Please be careful with those. Marty takes the album from her lap, and places it on his. She gets up and gathers her things.. I’m sorry, Marty, I don’t think this is gonna work.. She starts to leave. The phone rings.. Just let me get this quickly, don’t go anywhere.....
tailieu.vn Xem trực tuyến Tải xuống
JOSEPH WEISNER, 55 years old, stocky, grey-haired male takes his ticket from the small opening in the glass partition of the ticket office. JOSEPH walks to the closest bench with his newspaper under his arm and suitcase in hand and sits.. Joseph puts down the newspaper reacting to STRAY KID 1 and STRAY KID 2’s LAUGHING.. STRAY KID 1 (O.S.)...
tailieu.vn Xem trực tuyến Tải xuống
Four of the scripts were written in the undergraduate program and one in the graduate program. Susan Emerling, in her script The Wounding, explores the issue of sexual abuse in the life of a young girl. WE CAN SEE TWO LITTLE GIRLS PERCHED IN THE LOWER CORNER OF THE WINDOW.. WE CAN HEAR THE CRACKLE OF THE FIRE IN THE...