Có 180+ tài liệu thuộc chủ đề "hội họa"
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The focal points of this tranquil scene are a palm tree, an island, and the reflection of the island on the surface of calm water. ¾ SKETCH PROPORTIONS: You sketch the overall composition of the scene proportionately correct and outline the shapes of important objects.. ¾ DEFINE VALUES: The shading in this drawing is based on a value scale of...
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All club meetings should include "show and tell.". All members show what they have made, or tell something they have learned, or share any special information that might not be directly related to the business or program portion of the meeting.. At the end of the project, your doll comes back to you as a surprise!. and the other a...
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If there is a part of dollmaking I dislike, it is making the body. However, the structure while in progress just doesn't thrill me, but the process must be done, and done well, because I know that the body and the movement of the piece can make or ruin the doll as a completed and successful piece. While you are...
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character or realistic, part of the total expression of the character.. To make hands proportional to the head, there are two quick rules: from the bottom of the palm to the end of the middle finger will be as long as from the chin to just above the eyebrows. The principle of physics that for every action there is a...
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I just did not have enough of the information that comes with experience. for some, a picture of the spontaneity of children at play;. for others, a realistic photographic record of the man on the street or a historical figure. I thought I would be detailing certain technical processes but, very soon, the feedback from readers indicated that the parts...
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This can be done by wefting the chosen fiber. If you use fabric, fur, or animal hide with hair still attached, it looks more natural if the skull is carved or sculpted lower in the area to be wigged. If you use unwefted mohair, a part line can be made to look natural by carving a groove in the skull,...
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BROWN BEAR Ursus arctos. Walks on sole and heel of rear foot and usually on digits of front foot. Five digits per limb with long, curved, nonretractile claws. Short tail. Grizzly and brown bear belong to the same species, but differ in geographical range and size. The giant panda is now considered to be a member of the bear family,...
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218 BIRD + ANATOMY. CHICKEN SKELETON Callus gallus. Bird characteristics: Body always covered with feathers. Clavicles fused into single bone, the furculum (wishbone).. posterior thoracic, all lumbar, and all sacral ver- tebrae fused into synsacrum, which in turn is fused to the pelvis. Short, flexible tail terminates in stout bone (pygostyle) for support of highly mobile long tail feathers.. Wrist...
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Figure 6.1 The line drawing cap- tures the personality of the pet.. It is not merely the placement of the figure. Figure 6.2 shows an example of a stipple drawing.. Figure 6.2 Stipple drawings are made up of many tiny dots.. Figure 6.3 Adding variation in weight can make a line more expressive.. Figure 6.4 is a line drawing of...
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FCR Flexor carpi radialis;. FCU Flexor carpi ulnaris. FCU-UH Flexor carpi ulnaris, ulnarhead. ECR Extensor carpi radialis;. FCR Flexor carpi radialis. ECR Extensor carpi radialis. FCU Flexor carpi ulnaris;
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1/6 DOMESTIC PIG + ANATOMY. Domestic pig characteristics: Domestic pig derived from European wild boar. Tusk-like upper canines (larger in males) grow upward and outward. Lower canines grow upward and backward to fit against larger upper canines. short neck. Four digits per limb, only two middle digits functional. walks on toes. Hoofs on toes (reduced side toes have small hoofs)....
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Figure 8.1 A live model could not hold this pose for more than a fraction of a second.. Figure 8.1 shows a pose taken from a model in Figure Artist that would be impossible for a live model to hold for more than a fraction of a second.. Although a live model is always the preferred situation for drawing the...
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148 FELINE >. CROSS SECTIONS. DOMESTIC CAT. FELINE » CROSS SECTIONS 149. FORELIMB HIND LIMB. AbDiS Abductor digit! V. ECRB Extensor carpi radiaiis brevis. ECRL Extensor carpi radialis longus. ECU Extensor carpi ulnaris;. EDBr Extensor digitorum brevis. EDLat Extensor digitorum lateralis. EDLon Extensor digitorum longus. ExAbO External abdominal oblique. FCR Flexor carpi radialis. FCU—HH Flexor carpi ulnaris, humeral head. FCU—UH...
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By understanding the many dif- ferent aspects of the human form, you can better grasp how the fig- ure works as a whole. For example, if you feel along the bone on the lower part of your jaw, you will notice that there is a small indentation about halfway between the chin and the back of the jaw. The significance...
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I n this chapter I will cover how to construct the figure using some sim- plified methods to make the process of drawing a little easier. It is very important in the initial stages of a figure drawing to be able to use some kind of simple framework to define the dimensions and proportions of the figure on the paper....
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Giraffe characteristics: Very tall with long neck (elongated neck vertebrae) and long limbs. Bony prominences of neck vertebrae can be seen on the surface. brachiocephalicus and omotransver- sarius muscles, which usually cover the neck, begin low on the side of the neck, rather than up at the skull and first neck vertebra. Two located on either side of rear of...
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In this chapter we will take a closer look at each of these aspects of the figure.. The hand is the very def- inition of the all-around instrument. Because of this extreme flexi- bility, there is not one view of the hand that is adequate for learning to draw it. Anatomy of the Hand. The bones of the wrist are...
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112 HORSE >. AbDlL Abductor digit! I longus. Bicep Biceps brachii. BiFemLH Biceps femoris, long head. BiFemSH Biceps femoris, short head. Brcph Brachiocephalicus. DelRe Deltoid, rear portion. DelSp Deltoid, spinal por- tion. ECR Extensor carpi radialis. EDC Extensor digitorum communis. EDLat Extensor digitorum lateralis;. EDLon Extensor digitorum longus. ExAbO External abdominal oblique. FCR Flexor. carpi radialis. FCU Flexor carpi ulnaris....
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When they contract, they move the fea- tures of the face (eyes, nose, mouth, ears). there- fore, it is the most mobile part of the face.. Attachment: A short ligament at the inner corner of the eye, whose inner end attaches to the skull.. Origin: Upper surface of the skull, above the eye (horse), or to the rear of the...
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Origin: Outer surface of the front portion of the scapula and the adjacent cartilage.. Insertion: Inner and outer front corners of the top of the humerus.. In the ox, however, the supraspinatus alone creates the front of the shoulder form (the subclavius is deep).. Insertion: Single area of insertion on top of the humerus. Origin: Outer surface of the rear...