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Photoshop cs5 cho nhiếp ảnh gia part 51

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Expanding Latitude via Merge to HDR Pro. photoshop Cs5 dramatically overhauled and improved the merge to HDR feature.. merge to HDR pro is a tool to combine multiple exposures (ideally three to seven exposures of the identical subject, although technically you can use it with two images) into one 32-bit image.. Using 32-bit enables the image to have a greatly...

Photoshop cs5 cho nhiếp ảnh gia part 52

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Tr y It! Open the images from www.sybex.com/go/photoshopnature called HDR1, HDR2, and HDR3, and experiment with creating a 32­bit file and then converting it back to a 16­bit file.. Extending the Depth of Field. nature photographers sometimes encounter situations where we want to maximize our depth of field (the range of apparently sharp focus within an image) but we encounter...

Photoshop cs5 cho nhiếp ảnh gia part 53

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the image in Figure 8.17 has impact, but it’s a composite and needs to be presented as such.. it’s essential to make good selections when creating composites. Figure 8.17 Images like this can often be confused with “lucky” shots and ethically must be presented as composites.. Chapter 4, “Foundations,” covered some of the basic selection tools, but when you make...

Photoshop cs5 cho nhiếp ảnh gia part 54

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Experiment with different combinations of the Red, Green, and Blue channels (such as a value of 100 for Red and 0 for Green and Blue to let you just see the Red channel). Use your favorite selection technique, such as the Magic Wand or Quick Selection tool, to select the part of the image you wish to be selected.. Click...

Photoshop cs5 cho nhiếp ảnh gia part 55

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Chapter Contents Black and White Painterly Images Filters. Black and White. some images lend themselves to black and white, to say nothing of the fact that right now black-and-white images are very popular. in fact, there is a timeless quality to many black-and-white prints.. Converting to Black and White. Digital sensors capture images in color, but there are a variety...

Photoshop cs5 cho nhiếp ảnh gia part 56

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For Photoshop Elements Users: Converting to Black and White. Photoshop Elements has its own Convert to Black and White tool, which works similarly to the Channel Mixer. Convert to Black and White.. At the bottom of the dialog, you will find various presets on the left and sliders on the right to adjust the amount that each channel contributes to...

Photoshop cs5 cho nhiếp ảnh gia part 57

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Note: You can create customized brush tips to use when painting by going to Window >. Brush and click- ing one of the preset bristle tips as shown here. A Bristle Qualities dialog appears in which you can specify the various parameters of the bristle tip. some of the filters correct problems in the image such as vignetting or pin...

Photoshop cs5 cho nhiếp ảnh gia part 58

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You may want to explore other blurs, such as smart blurs, motion blurs, and zoom blurs as well.. they’re quite useful when you want to blur a section of your image. However, it’s important to remember that if you make a selection of the area you want to blur, a Gaussian blur considers that selection a general guideline, but not...

Photoshop cs5 cho nhiếp ảnh gia part 59

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if you just want to return to the original state, choose revert. When you have achieved the desired effect, if you’re working on a full- resolution image, you can simply click Ok to apply your work to the picture. if you are using a small-file version of your image as we suggested at the start of this section, click save...

Photoshop cs5 cho nhiếp ảnh gia part 60

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another reason is that if you didn’t think of using a particular image as part of a mon- tage while you were in the field, it doesn’t matter. You can make several versions of the same file in Photoshop. and in Photoshop, you can go further and combine numerous images in a variety of ways.. Blending Modes. Before proceeding with...

Photoshop cs5 cho nhiếp ảnh gia part 61

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if you have elected to rotate your image 90°, chances are you will want to crop and use the center square formed by the overlap of the two images.. sometimes you can repeat the process and copy the montage, rotate, or flip it and blend it to create a virtual kaleidoscope (figure 9.32).. Figure 9.32 All sorts of abstract designs—even...

Photoshop cs5 cho nhiếp ảnh gia part 62

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Remember to reduce the opacity of the texture layer so it doesn’t overpower the image.. Digital Multiple Exposures. the results are artistic, soft-abstract renditions of familiar subjects (similar to ellen’s image in figure 9.40).. Figure 9.40 Multiple exposures can render familiar subjects in pleasing, artistic, abstract ways.. to use a digital camera to create multiple exposures, you can still shoot...

Photoshop cs5 cho nhiếp ảnh gia part 63

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the output workflow actually starts very early in the process of optimizing your pho- tographic images in photoshop. Of course, we could go so far as to say that every opti- mization step is part of the output workflow, since you’re generally trying to make the image look its best in order to produce the best output. However, what we’re...

Photoshop cs5 cho nhiếp ảnh gia part 64

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Note: When you make adjustments that affect the actual pixel dimensions of the image in the Image Size dialog box, the current size is displayed after the Pixel Dimensions label, with the starting size shown in parentheses.. For images that will be displayed digitally on a monitor or digital projector, the size should be adjusted using the Width or Height...

Photoshop cs5 cho nhiếp ảnh gia part 65

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Of course, you can reduce the opacity of the brush to partially reveal the noise reduction in other areas of the picture.. Some people find it helpful to duplicate the image layer, blur it, and then reduce the opacity of the layer to taste. Duplicate your image layer by dragging its row in the Layers panel to the New Layer...

Photoshop cs5 cho nhiếp ảnh gia part 66

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If you opt to use HDr toning or a filter that increases structure, we recom- mend you do so before applying one of the traditional sharpening filters. In most cases you’ll find that you can use smaller settings on the sharpening filters.. Increasing Apparent Detail and Sharpness with Third-Party Plug-ins Third-party software such as Viveza 2 ( www.niksoftware.com. and Topaz...

Photoshop cs5 cho nhiếp ảnh gia part 67

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It’s worth the wait for gorgeous outputs with rich, deep blacks, smooth transitions, and snappy contrast throughout the image. Before making a final decision as to the one that would best suit all your needs, read some reviews on all models on the Internet, and visit a retailer to evaluate the quality of prints made by each machine in your...

Photoshop cs5 cho nhiếp ảnh gia part 68

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I’ll add the name of the image on the left using a different type face. You can create business cards to hand out or greeting cards for personal use or to sell. Creating a business card is in many ways similar to creating a greeting card. First we’ll describe how to create a business card and then we’ll cover how...

Photoshop cs5 cho nhiếp ảnh gia part 69

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Select one layer and move it to where you want the top card to be (both on the top and left).. Select another layer and move it to where you want the bottom of the bottom card to be.. In the Layers panel, select all of the layers you created in Steps 2 and 3.. In the workspace buttons area,...

Photoshop cs5 cho nhiếp ảnh gia part 70

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Throughout this book, we’ve provided you with the best techniques for inputting, optimizing, and outputting your images at every stage of the digital workflow. Adobe Photoshop has a variety of ways for you to automate many of the tasks that you perform repeatedly. That way, you can spend less time optimizing images and more time being creative either in the...