Có 220+ tài liệu thuộc chủ đề "Tạo đối tượng 3D"
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shininess on the frankfurter, thus creating a visual impression of strength, size, and other qualities that help the audience read very quickly, “Oh, that’s a frankfurter! It looks really large and bright! It probably has a lot of calories and nitrites, and the bun doesn’t look like whole wheat…” Seriously, the more complexity you build into an object’s fill, the...
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You can set the intermediate objects in the blend group as child objects of the blend, which causes them to behave as blend control objects. The properties of these child blend objects can be edited in the same way as control objects, which in turn affects the appearance of the blend effect applied between the original parent control objects and/or...
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To dismantle a blend, choose the Pick tool, right-click the blend group portion, and choose Break Blend Group Apart from the pop-up menu. The control objects then become separate objects, leaving the blend intermediate objects grouped.. To further dismantle the arrangement, select only the blend group by using the Pick tool, and then choose Arrange | Ungroup ( CTRL+U. You...
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If you want to wow your audience, definitely play with Fill Color to create significant changes along the steps of a contour. If an object doesn’t have a fill, although you can set a contour color, the contour will not have a fill. This creates an interesting effect if you have outline width and colors applied to the base object,...
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With the Pick tool, move the ellipse around a little to see how the lens effect changes only those areas of the rectangle that the ellipse covers.. With the ellipse partially eclipsing the rectangle, select the Frozen box and then click Apply.. As you can see, its contents colors remain constant, even when you move the ellipse totally away from...
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Everything under the lens is now part of a group of vector objects—. you can press CTRL+U now to ungroup the objects and individually recolor them if you like.. The Viewpoint option offers the chance to move a lens object but also to retain the view of the objects the lens was originally over. The Lens Viewpoint option lets you...
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Add The Add(itive) mode applies transparency in a similar fashion to Normal mode, except it whitens and brightens the result—seriously! In English, there’s a subtle but distinct different between “plus” and “added to”. similarly, Additive mode moves the combined result of the target and source object colors in a positive direction in brightness value. Subtract This mode ignores the brightness...
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Glows All effects created with the Drop Shadow tool are dynamically updated bitmaps, and as such they can look soft as shadows do on overcast days. However, if you take that same blurry bitmap, give it a light color, and then put it in Normal or Add merge mode, you have a glow effect. any changes to the control object...
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One of the methods CorelDRAW, PHOTO-PAINT, and other programs that can import bitmaps use to lessen and occasionally eliminate visible artifacting from resampling a photo is called anti-aliasing, and you have some control over this method, discussed later in this chapter. For example, suppose you could photograph a checkerboard plane that extends from your feet way out to the horizon....
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Click the Import icon on the standard toolbar or press CTRL+I to import the. Locate it on your hard drive, select the file, and then click Import.. You’ll now see the attention box that tells you that the Expensive car.jpg is not tagged with the same color space as the Wally’s Wheels.cdr file. Click the Convert From Embedded Profile To...
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B marks your navigation tools for previewing the image. D marks the Color Depth. You’d be ill-advised to change this from 48-bit, because only a high-depth image can be adjusted extensively without taking on banding and color clipping (explained shortly). The only reason you’d choose 24-bit from the selector list is if the image were flawless and you wanted to...
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One of the terrific things about designing using a computer application is that you can repurpose a good design. A good design such as the front cover of the catalog just discussed can yield several different uses from only one investment in time—and from knowing how to export the design.. CorelDRAW examines the vector artwork at the size and resolution...
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If you’d like to confirm that the editing you performed is nondestructive, take the Shape tool and marquee-select several control nodes. Then drag them away from the center of the photo, as shown here. It takes an equal amount of effort, but it might be easier to visualize the nondestructive photo-trimming process by drawing the outline of the image object...
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deleted because it’s the Source Object, and you didn’t choose to leave it. Apparently the bottle has not changed, but there is a perfect cutout duplicate of the top of the bottle resting on top of an unchanged bottle. you’re halfway there—you need to trim away part of the bottle using the new intersect object. Switch to the Pick tool...
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Let’s put all this knowledge into practice in the next section.. You’re almost set to click OK and have PowerTRACE convert the Silver Spoon.jpg logo into a set of vector objects.. It’s very close in look to Motter Fem, and Candy is a great packaging-design font you might seriously consider purchasing for your collection—Candid is an author-cobbled knockoff whose purpose...
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Any PHOTO-PAINT document’s resolution can be great for web graphics but not so good for printing. The web display and print quality differ because of the finite number of pixels in the resolution-dependent, bitmap image. Figure 25-1 shows at left a CorelDRAW. However, at right is an illustration of the same paint box, with the imaginary bitmap grid shown, but...
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Ill 25-4. Click the Object 1 thumbnail on the Objects list to select it—you want to edit this, not the Background object.. Wherever sharp transitions between pixel colors appear in the photo, edge details are retained and strengthened. Ill 25-5. Beyond the strong edges in Object 1, this object doesn’t look as though it will contribute a lot to enhancing...
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Right-click inside the dashed indicator lines for the mask area, and then choose Object:. Copy Selection from the context menu. On the Object docker, you’ll now see a new thumbnail at the top of the list of objects, titled “Object 2”. To hide the marquee lines running around a masked area of an object—and you’re only hiding, you’re not deselecting...
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If you use the document scroll bars for changing your view, you haven’t switched tools and you’re cool to continue drawing the path.. Ill 26-2. Draw a tight path all the way around the outline of the labeling machine, and finally click at your start point to close the path. Right now is a good time to zoom into various...
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Click the Nib Shape drop-down list, and then click the 100-pixel-diameter hard nib.. Then increase the size of the nib by typing 133 in the Nib Size box, or you can use the elevator buttons to the right of the box to enlarge the nib size.. Stroke around the image so the skater is entirely selected. If you’ve gone a...