Có 33+ tài liệu thuộc chủ đề "văn hóa hội họa"
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ILLUSTRATION 10-01. ILLUSTRATION 10-02. ILLUSTRATION 10-03. ILLUSTRATION 10-04. ILLUSTRATION 10-05. ILLUSTRATION 10-06. ILLUSTRATION 10-07. 5 - ILLUSTRATION 10-08. ILLUSTRATION 10-09. ILLUSTRATION 10-10. ILLUSTRATION 10-11. ILLUSTRATION 10-12. ILLUSTRATION 10-13. ILLUSTRATION 10-14. ILLUSTRATION 10-15. ILLUSTRATION 10-16. ILLUSTRATION 10-17. ILLUSTRATION 10-18. ILLUSTRATION 10-19. 11 - ILLUSTRATION 10-20. ILLUSTRATION 10-21. ILLUSTRATION 10-22. ILLUSTRATION 10-23. 13 - ILLUSTRATION 10-24. ILLUSTRATION 10-25. ILLUSTRATION 10-26. ILLUSTRATION 10-27....
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By varying the density (drawing the lines either far apart or close together) of the lines, you can achieve many different values. In darker values, the lines are drawn more closely together, filling in most of the paper with the texture of squirkles.. Values are the different shades of gray created by varying the density of the shading lines, and/or...
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By varying the density (drawing the lines either far apart or close together) of the lines, you can achieve many different values. In darker values, the lines are drawn more closely together, filling in most of the paper with squirkles.. Squirkling refers to the technique and the process of adding shading to a drawing with squirkles.. (verb) refers to the...
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You first outline the shape of the baby’s face in the lower half of a square drawing space, and add the eyes, eyebrows, nose, ears, and mouth. In addition to creating the texture of curly hair with squirkles, you also use a graduation of squirkles to make the hair look three-dimensional.. In addition to creating the texture of curly hair...
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You begin this project by setting up and drawing the trunk of the tree and the ground and then you complete the tree drawing branches and shrubs and grass on the ground.. Squirkling is used to add texture and details to the tree’s branches. You first draw the trunk of a tree and the ground from which it grows and...
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With help from a simple grid, you sketch the outline of a tree and use squirkles to shade in the texture of the branches and trunk. With help from a simple grid, you sketch the outline of a tree and use squirkles to shade in the texture of the branches and trunk.. SETTING UP YOUR DRAWING: You first choose and...
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ABOVE, BELOW, AND ON THE HORIZON LINE: an in-depth discussion surrounding the fundamental components of geometric perspective, including horizon line, vanishing point(s), and perspective lines. o Your eye level is on the horizon o A worm’s eye view. DISAPPEARING INTO A VANISHING POINT: an introduction to various tools used by artists for creating the illusions of depth, including overlapping, size...
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SILLY FACES. Suddenly, you see a whole bunch of silly faces floating toward you!. In this fun lesson, a group of silly faces seem to be floating through space. Four elements of perspective are used in this lesson: Overlapping: Most silly faces in this project overlap others. Size Differences: The farther away objects are, the smaller they appear to be....
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Overlapping is a technique that gives the illusion of depth in a drawing, and refers to the position of subjects in a composition, when one visually appears to be in front of another (or others).. Atmospheric perspective (sometimes called aerial perspective) refers to the visual depth created by various particles in the atmosphere. GIVING DEPTH TO A MOUNTAIN RANGE: Shading...
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One-point perspective is the technique of using a single vanishing point to create the illusion of a straight-on view into distant space. A drawing of a box, rendered with one- point perspective, challenges you to gain insights into the process of drawing a three dimensional form.. ¾ DRAWING A THREE-DIMENSIONAL BOX: You discover how to transform a two- dimensional shape...
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Figure Drawing for All It’s Worth Creative Illustration. Drawing the Head and Hands Three-Dimensional Drawing. MOST FOLKS LOVE TO DRAW EVEN WHEN THEY KNOW LITTLE ABOUT IT. BE- CAUSE IT’S SO MUCH FUN, AND SO EASY, IT’S A SHAME NOT TO BE ABLE TO DO IT BETTER.. ALL THAT YOU NEED TO KNOW, TO START THIS BOOK, IS HOW TO...
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PART TWO PUTTING THE HEAD ON THE BODY. You know, I’ve a hunch you have been itching to get into this portion of the book. He goes to essentials, a crude representation of the bulk without the detail. 1 and 2 of the marginal drawings have great possibilities. If we take care of the engine it will outlast any metal...
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At the point directly under the source we establish the point DL, meaning “direction of light.” S will mean “source” at the top of the perpendicular,. From the farthest limit of the shadow to DL, then up to the source and back to the shadow, forms a triangle. The third corner of the triangle will be called At, mean- ing...