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371 Chapter 13 My Step-by-Step Workflow. To get more contrast, and punch- ier color, go to the Camera Calibration panel, and try out the different presets in the Camera Profile Name pop-up menu.. Now, we’re going to focus on the over- all exposure problem, which is “sky too bright and buildings too dark.” We’ll start by lowering the midtones, which...
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the Adobe. for digital photographers. The Adobe Photoshop CS5 Book for Digital Photographers Team CREATIVE DIRECTOR Felix Nelson TECHNICAL EDITORS Kim Doty. The author and New Riders shall have neither the liability nor responsibility to any person or entity with respect to any loss or damages arising from the information contained in this book or from the use of the...
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C H A P T E R 4 95 Attitude Adjustment Camera Raw’s Adjustment Tools Dodging, Burning, and Adjusting Individual Areas of Your Photo. Retouching Portraits in Camera Raw. Special Effects Using Camera Raw. Creating Vibrance Outside of Camera Raw. White How to Create Stunning B&W Images Converting to Black and White Using Camera Raw. ptg If You’re Really, Really...
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using photoshop cs 5 ’s mini bridge. If you’re reading this chapter opener (and you are, by the way), it’s safe to assume that you already read the warning about these openers in the introduction to the book (by the way, nobody reads that, so if you did, you get 500 bonus points, and a chance to play later in...
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Probably the most popular method for sorting your images is to rate them using Mini Bridge’s 1- to 5-star rating system (with 5 being your best images). The word Reject appears in red in the bottom-left after you do this in Full Screen Preview mode, below the photo in Review mode, and below the thumbnail, as well (shown circled here...
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Now, if you’re reading the English-language version of this book, you probably instantly recognized the chapter title. “WWF Raw” from the wildly popular American TV series Wasabi with Fries Raw (though in Germany, it’s called Weinerschnitzel Mit Fischrogen Raw, and in Spain, it’s called simply Lucha Falsa, which translated literally means. Anyway, it’s been a tradition of mine, going back...
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Now, here’s the thing: although this can give you a perfectly accurate white balance, it doesn’t mean that it will look good. White balance is a creative decision, and the most important thing is that your photo looks good to you. So don’t get caught up in that “I don’t like the way the white balance looks, but I know...
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If you have to drag the Fill Light slider quite a bit to the right (as I did here), you’re going to run into a little problem in that your deeper shadows might start to look a bit washed out. So when I have to push things as far as I did here, I gener- ally drag the Blacks slider...
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Deleting Multiple Images While Editing in Camera Raw If you have more than one image open in Camera Raw, you can mark any of them you want to be deleted by selecting them (in the filmstrip on the left side of Camera Raw), then pressing the Delete key on your keyboard. When you’re done in Camera Raw, click on the...
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When you open a RAW image in Camera Raw, by default, it applies a small amount of sharpening to your photo (not the JPEGs or TIFFs, only RAW images). You can adjust this amount (or turn it off altogether, if you like) by clicking on the Detail icon, as shown here, or using the keyboard shortcut Command-Option-3 (PC: Ctrl-Alt-3). At...
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72 Chapter 3 Camera Raw—Beyond the Basics. If they’re going to appear, they’re usually right along an edge in the image that has lots of contrast (like along the edges of these rock formations).. Here, there’s red fringe running along the edges of the rocks. To remove this, start by click- ing on the Lens Corrections icon (the sixth icon...
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So now the Blues are bright, but they’re not rich and bold yet, so click on the Saturation tab near the top of the panel, and then drag the Blues slider all the way over to the right, and the sky just comes alive with color. I also dragged the Aquas slider to the right, too (as shown here), because...
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91 Chapter 3 Camera Raw—Beyond the Basics. The Adobe Photoshop CS5 Book for Digital Photographers. The last Workflow Options choice is what you want the resolution of your processed file to be. The topic of resolution is some- thing entire training DVDs are dedicated to, so we won’t go in-depth about it here, but I’ll give you some quick guidelines.....
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Click on the pin on the roof on the left side of the station. If you want to delete any adjustment you’ve made, click on the adjustment’s pin to select that adjustment (the cen- ter of the pin turns black), then press the Delete (PC: Backspace) key on your keyboard.. If you make a mistake (like a spillover), and accidentally...
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The Adobe Photoshop CS5 Book for Digital Photographers. Now, click the Erase radio button at the top of the Adjustment Brush’s options panel (or just press-and-hold the Option [PC: Alt] key to temporar- ily switch to the Erase tool), set your brush to a very large brush size (like the one shown here), set your Feather (softness) amount to around...
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Now press the Esc key to remove your cropping border. That’s it—you’re in. So, try it your- self—get the Crop tool again, drag out a cropping border, then drag any one of the cropping handles inward and you’ll see what I mean. Pretty sweet, eh? When you’re done cropping, press Return (PC:. Enter), then press the letter F once more...
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Go under the File menu, under Scripts, and choose Image Processor. By the way, if you’re working in Adobe Bridge (rather than Photoshop), you can Command- click (PC: Ctrl-click) on all the photos you want to apply the Image Processor to, then go under the Tools menu, under Photoshop, and choose Image Processor.. That way, when the Image Processor opens,...
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There are two more controls you need to know about: First, if you try Content- Aware Scale and it stretches your subject more than you want, go get the Lasso tool (L) and drag a selection around your subject (as shown here, top left), then go under the Select menu and choose Save Selection. Then bring up Content-Aware Scale again,...
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Now, your job is to look at the photo and find something that’s supposed to be the color black. In most photos, this won’t be a problem—you’ll see a dark area of shad- ows (like the parts of the bicyclist’s jacket in this photo, or a black car tire, or a black shirt, etc. and in those cases, it’s no...
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Start by clicking-and-holding on the building in the foreground, and you’ll notice that your cursor turns into a hand with a two-headed arrow, pointing up/down. As you do, it knows exactly which part of the curve to adjust to darken that area.. Move your cursor over them, but this time you’re increasing the brightness, so you’d click-and-drag upward (rather than...