Có 40+ tài liệu thuộc chủ đề "Professional Information Technology Book"
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Never make any changes directly to this layer. Always keep (or move) this layer to a position. Never use actual Burn and Dodge tools for this layer. Use this layer to set black and white point and overall dynamic range.. Use this layer to adjust the contrast of specific areas of. Use this layer to adjust brightness and contrast for...
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Workflow Action, but if you're too lazy, you can download it from from www.kenmilburn.com. The magical part comes when you realize that you can include the layers in the workflow for almost every image automatically. Figure 5-3 shows the Layers palette.. The Layers palette after running the Workflow Action.. So he said I could use it if I put his...
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Things You Can Do to Modify a Layer. There are many other ways you can change a layer or the way it affects layers below it.. Highlight the top layer in the Layers palette.. While pressing Opt/Alt, choose Merge Visible from the Layers palette fly- out menu. When the new layer appears, it is a flattened version of the whole...
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So when it comes to making post-RAW or non-RAW overall adjustments, you want to start by doing them with adjustment layers. That's because an adjustment layer doesn't actually do anything at all to the image itself. The adjustment layer simply passes on a text description to Photoshop to display the image in certain ways. But, you say, what about all...
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Adjustment Layer Advantages. You probably already understand this, but an adjustment layer actually doesn't make any changes to the layers below it. instructions on how the image should look and print. If you're not yet familiar with adjustment layers, you'll find them listed on a menu that appears after clicking the New Adjustment Layer icon at the bottom of the...
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Please keep in mind that right now, I'm only talking about brightness areas that are predominant in a large part of the image and don't have to be isolated by masking. Masked channels come later in the workflow.. Click on the tone in the image that is the midtone in the brightness range that you want to adjust. Repeat the...
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Don't delete the adjustment layers created by your Workflow Layers Action until you've done everything you want to the image. You can mask either of those layers to use for a targeted adjustment (see Chapter 7) or use a Blend Mode with the layer.. And remember, because you did it with an adjustment layer you can experiment all you want....
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If you shot a series (or what Aperture calls a "set") of the same image in the same lighting conditions and are post-processing them in Photoshop according to the recommendations so far given in this chapter, it's very easy to apply all that work to the whole series.. Go back to Bridge and make sure all the other images in...
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There's not a big difference in the procedure for making adjustments when you're making targeted adjustments. Much of the success of regional adjustments depends on your ability to make the mask that restricts your adjustments to one or more very specific areas of the image. Of course, you could make an adjustment directly onto the image by using any of...
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There are many other instances in the course of employing the "Milburn Method for Nondestructive Editing". when you will want to do the same thing. Lifting a Selection to a New Layer. You already know the keyboard shortcut that raises a selection to a new layer, but it's easy to repeat in case you've forgotten it: Cmd/Ctrl-J. Be sure you've...
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You already started one of these in the "The Magic Action for Layered Workflow". Second, the changes you are most likely to want to make for purposes of reinterpretation are those that follow this procedure in the workflow. Remember, one of the purposes of an organized workflow is to ensure minimum time waste when an image needs to be reinterpreted.....
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In fact, if you need to do this to a large area, see the "Copying Areas". In the image in Figure 8-5, there was a pipe running the length of the creek, a tree trunk invading the left edge of the composition, and a blue plastic tarp. So I used the Patch tool to remove the sections of the pipe...
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Most of the retouching required for restoration can be done with the Healing, Spot Healing, and Clone tools. Place the transparent layer immediately above the layer of the image being retouched. All retouching that uses the Healing, Spot Healing, and Clone tools should be done with the Sample All Layers box checked on the Option bar.. Open the scanned image,...
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Painting a Quick Mask over the parts of the eyes that need sharpening.. One of the reasons models tend to go for lip gloss is to keep their lips from cracking since it makes them look harsh and stressed. On the right, a bit of glow added to the lips.. Select the lip or lips you want to moisten using...
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There are several ways you can "re-light". a photo to make it more interesting, to make it stand out from the background, or to make it a more natural match when combined with other photos. Best of all, thanks to this gray layer technique, you can modify your results. The differences between these techniques and those done on the Burn...
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You can use Photoshop CS2's new Lens Distortion filter to correct all threeand more. You can remove any chromatic fringing that you didn't get in Camera Raw or that you haven't been able to clean our of a JPEG image.. You can rid yourself of the vignetting that often occurs when you use very wide angle lensesa common practice in...
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In the past, traditional stock agencies concentrated on the big money markets. That's fine if you're doing an ad that has a budget for stock photos. But what if you're just creating an illustration for an internal brochure or for an illustration on a small client's web site?. Collecting Your Own Stock Photos. In the course of your daily business,...
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Making montages can be much more complex than making collages because the bits and pieces of photos that make up the whole have to look as though they were all photographed in the same place and at the same time. That is, the angle of lighting of objects in the background photo has to match in the lighting of the...
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Regardless of the technique used, if the surface of what you knockout is even slightly reflective, you will probably have some traces of the original background color around the edges. Choose the Brush tool and choose Color from the Options bar's Mode menu. Go to the Layers palette and click the Lock Transparency icon. Press Opt/Alt to momentarily convert the...
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Hopefully, you have already collected the images you're going to include over the background image in your composite. Of course, if it's a collage, matching the background is probably pretty easy. If you do, just make sure it's a color that flatters the images you're pasting on top it. On the other hand, if you're making a montage, there are...