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Sử dụng photoshop cs5 part 64

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You’ll. Click the Background, then press Shift-Backspace/. In the Fill dialog, choose Use: White, Mode: Normal, and Opacity: 100%, then click OK.. Click the duplicate image layer. Click the Add Pixel Mask button, then adjust the Feather value to fade the edge of the mask. To reposition the mask to reveal a different area of the image, on the Layers...

Sử dụng photoshop cs5 part 65

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A contact sheet is an arrangement of image thumb- nails in one document, an electronic version of the contact sheets that are traditionally created from film. In Bridge, put all the files to be displayed on the contact sheet in the same folder, in the order in which you want them to appear on the sheet (they can be grouped...

Sử dụng photoshop cs5 part 66

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In this chapter, in addition to learning about all the panels in the Preferences dialog, you’ll learn how to save and load brush, tool, and other presets.. In the dialog, click one of the 10 panel names on the left side, A or click Prev or Next, or press Ctrl-1/Cmd-1 through Ctrl-0/Cmd-0 (zero).. Check Auto-Update Open Documents to have open...

Sử dụng photoshop cs5 part 67

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In the Description window at the bottom of the dialog, read about the feature your pointer is cur- rently hovering over.. Low-resolution versions of the current file are saved in cache buffers to help the image and histo- grams redraw more quickly onscreen. To switch the order of the currently selected drive, click the up or down arrow.. Choose Panel...

Sử dụng photoshop cs5 part 68

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With this option unchecked, you can make the loupe appear simply by clicking the preview (see page 38).. For Number of Recent Items to Display, enter the maximum number of files (0–30) that can be listed at a time on the Open Recent File menu and. the Reveal Recent File or Go to Recent Folder menu on the Path bar,...

Sử dụng photoshop cs5 part 69

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Creating tool presets. If you’re looking for an effective way to streamline your workflow, consider creating some tool presets.. Thereafter, upon selecting that tool, you simply choose your preset from the Tool Preset picker on the Options bar or from the Tool Presets panel. Tool presets are a great timesaver and are worth the effort to set up, even for...

Sử dụng photoshop cs5 part 70

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From the View >. In the next steps, you will choose custom proofing settings for your output device. Check Preview, then from the Device to. This option is available only if the color mode of the output profile that you chose from the Device to Simulate menu matches that of the current file (e.g., if your image is in RGB...

Sử dụng photoshop cs5 part 71

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In the Duotone Options dialog, choose Type:. In the Duotone Options dialog, click the Ink 1 curve (the square that contains a diagonal line).. In the 100% field (which controls the darkest shadow value), enter the desired tint percentage. Save As to save the file in the. It can be imported into Adobe InDesign CS4 or later.. you can leave...

Sử dụng photoshop cs5 part 72

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.415 Saving a fi le in the TIFF format. .417 Saving a fi le in the EPS format. .418 To quickly save multiple fi les in the. .419 Saving a fi le in the PDF format. .420 Saving fi les for the Web. .422 Optimizing a fi le in the GIF format . .423 Optimizing a fi le in the...

Sử dụng photoshop cs5 part 73

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Saving files for the Web. When choos- ing settings for Web output as opposed to print output, issues of file size and the transmission of data come into play. The goal is to compress your files enough that they download quickly on the Web while keeping their quality as high as possible.. Two main parameters that you’ll need to focus...

Photoshop cs5 cho nhiếp ảnh gia part 1

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create the best possible picture in the field. The second step is to optimize that capture and use software to present the final image in the best possible way. Similarly, knowing the capabilities of the digital dark­. room will enable you to capture images that you can optimize to portray whatever you envision. This chapter covers some of the basic...

Photoshop cs5 cho nhiếp ảnh gia part 2

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Some of the newest high-end digital SlR cameras capture 14-bit images, which means nearly 4.4 trillion color choices . Thirty-two-bit files are starting to emerge and can be created using Photoshop’s Merge to hDR, which we’ll cover in Chapter 8. you can use the additional tonal values as you make adjustments to the image. in other words, as you tweak...

Photoshop cs5 cho nhiếp ảnh gia part 3

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But the extent of the exposure corrections you’ll be able to make will be less because you’ll have only an 8-bit image to work with, and extensive Photoshop corrections may result in posterization or noise. if you make large prints and want the best images you can get, RaW is without a doubt the way to go.. See whether you...

Photoshop cs5 cho nhiếp ảnh gia part 4

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Figure 1.9 A histogram for this shade of purple, which has RGB values of shows that the luminosity histogram has a single line at 60, whereas the RGB histogram is composed of three lines, one at 0, one at 132, and one at 189.. however, some of the newer models offer a choice. The histogram just reflects the tones in...

Photoshop cs5 cho nhiếp ảnh gia part 5

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Of course, if you are shooting a silhouette, a spike at the left side of the his- togram indicating black for the silhouette is acceptable, while any specular highlights may be fine as pure white. We expect those areas to be pure white without detail.) But for most images, in order to capture detail in both the shadows and the...

Photoshop cs5 cho nhiếp ảnh gia part 6

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Figure 1.19 The white balance here was accidentally set to Tungsten. if you’ve ever gotten up before dawn to go out and photograph in the beauti- ful, warm, early-morning light, you know that nature photographers aren’t always seeking to make neutrally colored images. This is one of the reasons we prefer to shoot in raw mode. we don’t have to...

Photoshop cs5 cho nhiếp ảnh gia part 7

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how many times have you looked up and commented on the great clouds or beautiful sunset but not taken the picture because foreground elements were missing? Or the opposite—you found a great subject, perhaps a bird posing wonderfully or a gorgeous scene, but the sky or background was completely blah? Or you could tell there was just too much contrast...

Photoshop cs5 cho nhiếp ảnh gia part 8

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One of the main disadvantages of lightroom, in our opinion, is the need to change modules depending on what task you’re doing. That makes the initial edit through your images slower.. if you opt to adopt aperture or lightroom as the basis of your workflow, you’ll find that you make many or all the global exposure and color changes we...

Photoshop cs5 cho nhiếp ảnh gia part 9

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After you’re done photographing, you need an easy way to get your images from the memory cards onto your computer and to see how the pictures look. Adobe Bridge, a stand-alone application that comes with Photoshop and Elements, and Organizer in the PC version of Elements, have a lot of features to help with this task. it’s used not only...

Photoshop cs5 cho nhiếp ảnh gia part 10

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Advanced This section (shown in Figure 2.10) contains several settings. Figure 2.10 The Advanced section of the Bridge Preferences contains a number of additional settings.. Software rendering can be helpful for those with older computers and/or lesser graph- ics cards whose hardware can’t take advantage of some of the features in Bridge. For those with better graphics cards and newer...