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Photoshop cs5 cho nhiếp ảnh gia part 11

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The text box to the right will prompt you to type text. We recommend using the Preserved Filename, which is available as one of the options when you click the drop-down menu in each line because it creates a distinct filename for each image.. You’ll see a preview of your new name at the lower right.. Under options, if you...

Photoshop cs5 cho nhiếp ảnh gia part 12

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Further, any panel in Bridge can be positioned in any pod by clicking the tab at the top of the panel and dragging it to the desired location. By doing this you could place the filmstrip on the left and the folders on the right, or create any other configuration that suits your needs.. When initially viewing images, we usually...

Photoshop cs5 cho nhiếp ảnh gia part 13

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Create stacks, rearrange the files in them to change the one that appears on top, drag images in and out of the stack, and so on. We think you’ll like this feature once you get comfortable with it.. But as you’ve probably noticed, images seem to accumulate quickly, and keeping them organized can be a bit of a chore, especially...

Photoshop cs5 cho nhiếp ảnh gia part 14

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Then click the icon. To remove an image from a Collection, right-click/Control-click on the thumbnail in the Content panel and choose remove from Collection.. By clicking the refine icon and choosing review, you can view all the images currently visible in the Content panel in a full-screen Preview-only mode. arrow, you can delete images from view. Click the icon to...

Photoshop cs5 cho nhiếp ảnh gia part 15

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To access Mini Bridge, click the Mini Bridge icon . You can expand the length or width of the panel by hovering the cursor over the edge until it becomes a double-edged arrow. Figure 2.41 A lot of options are available from the icons in Mini Bridge.. Click the Panel view icon to choose to view the navigation pod, the...

Photoshop cs5 cho nhiếp ảnh gia part 16

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We’ll show you how to use ACR to adjust your images so that you’re starting with the best possible files!. Using the ACR Interface. You can choose to make only basic corrections to your image or per- form some quite sophisticated adjustments, including targeted adjustments. The one that came with your camera may be able to take advantage of some...

Photoshop cs5 cho nhiếp ảnh gia part 17

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Using the Spot Removal Tool. The spot removal tool is similar to the Clone and healing brush tools in Pho- toshop, although not quite as powerful. Unfortunately, since retouching in ACr is limited to circular spots, it is not well suited for object removal. if you are using a smart object–based flexible workflow (see Chapter 5), it’s helpful to do...

Photoshop cs5 cho nhiếp ảnh gia part 18

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if you later change your mind, you can click reset Camera raw defaults.. Using the Basic Tab. whether or not you choose to use the Auto settings as your default, chances are that you will often want to make some tonal and color adjustments to your images. The ability to easily make subtle tweaks, as well as major corrections, to...

Photoshop cs5 cho nhiếp ảnh gia part 19

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Note: If you overexposed or underexposed the image to the point that you didn’t capture some of the highlight or shadow data, the Recovery and Fill Light sliders will not be able to recover it. But if you were able to capture it on the sensor, then the Recovery slider will reveal it. Remember that the sensor contains more information...

Photoshop cs5 cho nhiếp ảnh gia part 20

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Although this noise is most common in the darker tonalities, it can also sometimes be seen as green and magenta blobs in areas that should be neu- tral gray and as rainbow artifacts in the highlights. view of the areas demonstrating problems with noise, and move the sliders to reduce the color variations. higher settings will retain more color detail...

Photoshop cs5 cho nhiếp ảnh gia part 21

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when you have adjusted the image in a way that you’d like to keep, go to the snapshot tab and use the snapshot icon to create a snapshot of the image looking this way. That way you can further modify the image any way that you like. To return the image to the snapshot, open the snapshot tab and click...

Photoshop cs5 cho nhiếp ảnh gia part 22

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Further, if you have some clipping—that is, pixels that are at the extremes of the tonal values—in one or more channels, you may want to see whether changing to the ProPhoto rgb space allows you to capture more detail in those chan- nels. The disadvantage is that if you are converting back to an 8-bit image, you may have more...

Photoshop cs5 cho nhiếp ảnh gia part 23

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Much of the work you’ll do in Photoshop, and in fact most of the advanced work, involves using the various tools in the Tools panel.. In this chapter we’ll introduce you to some of these tools to help you build a strong foundation for the adjustments we’ll cover in later chapters. But before we do that, we’ll help you set...

Photoshop cs5 cho nhiếp ảnh gia part 24

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once you’ve established the preferred options in Color Management settings, click oK to apply the settings. However, we do have recommendations for some of the settings.. Figure 4.2 The General section of the Preferences dialog box includes settings that affect your overall experience in Photoshop.. But if you find yourself using the Hud Color Picker, try both and see which...

Photoshop cs5 cho nhiếp ảnh gia part 25

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The crop shield is what hides the part of the image being cropped. Set this option to the unit of measurement you are comfortable working with.. the Windows Cs5 application bar, as shown in Figure 4.9, combines the main menu bar as well as features found in the application bar prior to Cs4. Figure 4.9 The new Application bars have...

Photoshop cs5 cho nhiếp ảnh gia part 26

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versions of Photoshop used, click the gray area by the two triangles at the top of the tools panel, just above the Ps icon. Like any of the panels, you can float the tools panel by clicking in the dark bar at the top and dragging it wherever you’d like. to redock the tools panel, drag the floating panel to...

Photoshop cs5 cho nhiếp ảnh gia part 27

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This is because you can use the spacebar to toggle such controls. To avoid this, click an empty area of the dia- log box so that no control has the focus before using the spacebar as a shortcut key.. as you’ve seen in this section, Photoshop offers many options for navigating around your images during the evaluation and optimization processes....

Photoshop cs5 cho nhiếp ảnh gia part 28

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The Magic Wand. When the Magic Wand tool creates a selection with a single click of the mouse, it seems truly magical. the Magic Wand lives underneath the Quick selection tool (covered in the next section). to access it, click the Quick selection tool in the toolbar, and select the Magic Wand from the fly-out menu. (You can also press...

Photoshop cs5 cho nhiếp ảnh gia part 29

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detailed areas, we can make reasonably accurate selections in many cases, as shown in Figure 4.28.. Figure 4.28 It was easy to make a reasonably good selection of the penguin by using the Quick Selection tool. We’ll need to use Refine Edge (covered in the next section) to perfect the selection of the tail.. if the selection is not updating...

Photoshop cs5 cho nhiếp ảnh gia part 30

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Figure 4.34 The Localized Color Clusters option makes it possible to limit the area that’s selected when the color appears in multiple parts of the image.. if Color Range has identified other areas that you do not want to be selected and you cannot eliminate them using the subtract From eyedropper, the Fuzzi- ness slider, or the Range slider, use...