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A Designer’s Log Case Studies in Instructional Design- P49

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Principles of instructional design (4th ed. Theoretical Challenges for Distance Education in the 21st Century: A Shift from Structural to Transactional Issues.. Retrieved on July 7 th , 2008: http://www.irrodl.org/content/v1.1/randy.. Gentner, D., &. Hamilton, E.R., &. Retrieved on September 7, 2008: http://www.learnativity.com/into_. Guided didactic conversation in distance education. Retrieved April 12, 2007: http://www.fernuni-hagen.de/ZIFF/synchronous.pdf Landa, L. Foundations of distance education (3rd...

A Designer’s Log Case Studies in Instructional Design- P50

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International Journal of Instructional Technology and Distance Learning. Instructional-design theories and models: A new paradigm of instructional theory. The hybridisation of higher education in Canada.. International Review of Research in Open and Distance Learning, 2(2).. Annual Review of Psychology. 5th generation distance education. DETYA’s Higher Education Series, Report No.40, June.. Tessmer, M., &. A layers-of-necessity instructional development model. Educational Technology:...

A Designer’s Log Case Studies in Instructional Design- P51

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“The Congruency Principle”: A summary. This article will propose a basic, conceptual model for course design in higher education. It first defines the three functions all faculty members carry out in their work, namely, course planning, course delivery and student performance evaluation. Moreover, using Venn diagrams, these functions are schematized so as to visually demonstrate the importance of establishing a...

A Designer’s Log Case Studies in Instructional Design- P52

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Linking evaluation to planning and delivery is essential because true congruency cannot exist in a course until such time as it has been successfully achieved. what has been planned has been taught and. what has been planned and taught has been evaluated accordingly.. Furthermore, we posit that there is a higher probability of student achievement when high-level congruency has been...

A Designer’s Log Case Studies in Instructional Design- P53

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the student is required to draught an algorithm visually setting out the optimal sequence to be followed during an operation, the decision branching points and perhaps acceptable alternatives, etc.. Analogical representations: An activity requiring the student to complete or design a diagram, graphic representation, visual mental model, etc. Application: after having studied an abstract concept, a strategy or a technique,...

ADOBE INDESIGN CS2 REVEALED- P1

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ADOBE ® INDESIGN ® CS2. Adobe ® InDesign ® CS2—Revealed. Some of the product names and company names used in this book have been used for identification purposes only and may be trademarks or registered trademarks of their respective manufacturers and sellers.. Adobe ® InDesign. Thomson Course Technology and Adobe InDesign CS2—Revealed are independent from ProCert Labs, LLC and Adobe...

ADOBE INDESIGN CS2 REVEALED- P2

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L E S S O N 1 Use the Pen Tool 7-4. Adding Anchor Points and Using the Direct Selection Tool 7-6. Converting Anchor Points 7-7 Tasks Create straight segments 7-9. Add an anchor point to a path 7-10 Create curved segments 7-11 Use the Convert Direction Point Tool to change directions while drawing 7-11. Tasks Reshape a frame using...

ADOBE INDESIGN CS2 REVEALED- P3

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You can think of the next section as the navigation section, which houses the Hand Tool—used for scrolling through the document—and the Zoom Tool—used for magnifying your view of the document.. The bottommost sections of the Toolbox contain functions for applying colors and gradients to objects and for choosing Normal or Preview. For example, all of the text and table-...

ADOBE INDESIGN CS2 REVEALED- P4

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Drag the View box in the Navigator palette to. Click the Zoom Out button five times.. Click the Navigator palette list arrow, then click View All Spreads.. The palette now shows all spreads, as shown in Figure 27.. You used the Navigator palette to enlarge and reduce the view of the document and to scroll around the document.. Palette list...

ADOBE INDESIGN CS2 REVEALED- P5

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Click View on the menu bar, click Fit Page in Window, click the Zoom Tool , then drag a selection box that encompasses all of the body copy on the page.. Click the Type Tool , then select the number 1 after the words Doberman Pinscher at the end of the fourth paragraph.. Click the Character palette list arrow, then...

ADOBE INDESIGN CS2 REVEALED- P6

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Click the Type Tool , then select all the text in the document except for the two headlines at the top of the page.. Activate the Paragraph palette (if necessary), then click the Align center button . It’s not necessary to create a paragraph style for all items to align center, because you can simply use the Align center button...

ADOBE INDESIGN CS2 REVEALED- P7

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Clicking a reference point on the proxy tells InDesign that you wish to see the horizontal and vertical locations of that point of the selected object.. Why the top left point? Because that is what has been clicked in the proxy, also shown in Figure 6.. Be sure to note that the text boxes in the Transform palette are interactive....

ADOBE INDESIGN CS2 REVEALED- P8

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Click the page to deselect.. Select all four guides, click Layout on the menu bar, click Ruler Guides, click the Color list arrow, click Grass Green, then click OK.. Create text frames on a master page. Click the Type Tool , then draw two text frames on the left page of the B-Body Copy with Pics master in the same...

ADOBE INDESIGN CS2 REVEALED- P9

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InDesign provides many options for threading text—linking text from one text frame to another. When threading text, you use the text frame ports to estab- lish connections between the text frames.. In Figure 55, the center text frame is selected, and the in port and out port are identified. The in port represents where text would flow into the text...

ADOBE INDESIGN CS2 REVEALED- P10

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The first lesson gives you the chance to pause and explore basic options for align- ing and distributing frames on the page. In the second lesson, you’ll learn how to manipulate the stacking order of frames, and you’ll get a thorough tour of the Layers palette. The color that you choose in the Swatches palette will be applied to the...

ADOBE INDESIGN CS2 REVEALED- P11

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objects on the other layers. When you select an object, its bounding box appears in the selection color of the layer that it is placed on, as shown in Figure 29. You can move objects between layers, and you can reorder the layers in the Layers palette.. You can merge the contents of two or more layers by select- ing...

ADOBE INDESIGN CS2 REVEALED- P12

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Click the loaded graphics icon on the F in the word Flowers.. Hide the Images layer, show the Background layer, click the Selection Tool , then click the Windmills Ghost.psd graphic.. Click the top-left reference point on the proxy in the Transform palette.. Click the Direct Selection Tool , position the tool over the graphic, then click the graphic.. The...

ADOBE INDESIGN CS2 REVEALED- P13

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How to create new layers in the Layers palette. How to change the order of layers in the Layers palette. WORKING WITH. You’ll use the Swatches palette to create new colors, and you’ll learn a num- ber of tips and tricks for applying color quickly. You’ll also use the Color palette to quickly mix colors and modify the color of...

ADOBE INDESIGN CS2 REVEALED- P14

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colors—no fill and a black stroke. The Swap Fill and Stroke button swaps the fill color with the stroke color.. The Apply None button is available for removing the fill or stroke from a selected object, depending on which button (Fill or Stroke) is active in the Toolbox.. Fill and stroke buttons in palettes. Fill and Stroke buttons in the...

ADOBE INDESIGN CS2 REVEALED- P15

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For this reason, PANTONE 663 does not need to be added to the Swatches palette.. TIP If, when you import the graphic, a dia- log box appears warning you that the PAN- TONE color in the graphic is defined differently and asking you if you want to replace it, click No.. By definition, every gradient must have at least two...