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Photoshop cs5 cho nhiếp ảnh gia part 22

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Further, if you have some clipping—that is, pixels that are at the extremes of the tonal values—in one or more channels, you may want to see whether changing to the ProPhoto rgb space allows you to capture more detail in those chan- nels. The disadvantage is that if you are converting back to an 8-bit image, you may have more...

Photoshop cs5 cho nhiếp ảnh gia part 23

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Much of the work you’ll do in Photoshop, and in fact most of the advanced work, involves using the various tools in the Tools panel.. In this chapter we’ll introduce you to some of these tools to help you build a strong foundation for the adjustments we’ll cover in later chapters. But before we do that, we’ll help you set...

Photoshop cs5 cho nhiếp ảnh gia part 24

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once you’ve established the preferred options in Color Management settings, click oK to apply the settings. However, we do have recommendations for some of the settings.. Figure 4.2 The General section of the Preferences dialog box includes settings that affect your overall experience in Photoshop.. But if you find yourself using the Hud Color Picker, try both and see which...

Photoshop cs5 cho nhiếp ảnh gia part 25

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The crop shield is what hides the part of the image being cropped. Set this option to the unit of measurement you are comfortable working with.. the Windows Cs5 application bar, as shown in Figure 4.9, combines the main menu bar as well as features found in the application bar prior to Cs4. Figure 4.9 The new Application bars have...

Photoshop cs5 cho nhiếp ảnh gia part 26

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versions of Photoshop used, click the gray area by the two triangles at the top of the tools panel, just above the Ps icon. Like any of the panels, you can float the tools panel by clicking in the dark bar at the top and dragging it wherever you’d like. to redock the tools panel, drag the floating panel to...

Photoshop cs5 cho nhiếp ảnh gia part 27

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This is because you can use the spacebar to toggle such controls. To avoid this, click an empty area of the dia- log box so that no control has the focus before using the spacebar as a shortcut key.. as you’ve seen in this section, Photoshop offers many options for navigating around your images during the evaluation and optimization processes....

Photoshop cs5 cho nhiếp ảnh gia part 28

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The Magic Wand. When the Magic Wand tool creates a selection with a single click of the mouse, it seems truly magical. the Magic Wand lives underneath the Quick selection tool (covered in the next section). to access it, click the Quick selection tool in the toolbar, and select the Magic Wand from the fly-out menu. (You can also press...

Photoshop cs5 cho nhiếp ảnh gia part 29

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detailed areas, we can make reasonably accurate selections in many cases, as shown in Figure 4.28.. Figure 4.28 It was easy to make a reasonably good selection of the penguin by using the Quick Selection tool. We’ll need to use Refine Edge (covered in the next section) to perfect the selection of the tail.. if the selection is not updating...

Photoshop cs5 cho nhiếp ảnh gia part 30

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Figure 4.34 The Localized Color Clusters option makes it possible to limit the area that’s selected when the color appears in multiple parts of the image.. if Color Range has identified other areas that you do not want to be selected and you cannot eliminate them using the subtract From eyedropper, the Fuzzi- ness slider, or the Range slider, use...

Photoshop cs5 cho nhiếp ảnh gia part 31

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You’re just about ready to take the Brush tool for a test-drive, but you still need to adjust the size of the brush. Place the cursor on the new document you created, and evaluate the size of the brush. to reduce or enlarge the size of the brush, respectively. You can hold down the shift key while pressing the right...

Photoshop cs5 cho nhiếp ảnh gia part 32

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Once you have Photoshop or Elements set up the way you want it and you’ve used Adobe Camera Raw (ACR) to make most of your tonal and color changes, you may still have a little more work to do. If you get in the habit of following a routine approach when optimizing your images, you’ll find that you work more...

Photoshop cs5 cho nhiếp ảnh gia part 33

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if you took the print with the silhou- ette of the birds flying and placed it on top of the sunset picture, you’d see only the silhouette picture. But you could cut the birds out of that print and lay them on top of the print below. now you’d see the sunset with the silhouetted birds flying through it. in...

Photoshop cs5 cho nhiếp ảnh gia part 34

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note that by using a smart object as your Background layer you can do your resizing and sharpening on your master image. You can opt to use psd or tiff formats. the important point is to save the image after every step that has been at all time-consuming. You never know when a computer is going to decide to crash…and...

Photoshop cs5 cho nhiếp ảnh gia part 35

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there are several ways to straighten horizons. We cover two of the most useful meth- ods here.. the ruler tool has new functionality in Cs5 and offers a fast, easy way to straighten an image because it straightens and crops in a single step. it’s very similar to the straighten tool in aCr. to use the ruler tool, do the...

Photoshop cs5 cho nhiếp ảnh gia part 36

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the Clone stamp tool, the Healing Brush tool, the spot Healing Brush tool, the patch tool, and Content-aware fill are all useful in removing dust spots, removing unwanted objects from your image, and even filling in areas when you need to enlarge your can- vas. they’re very similar tools, but they’re also different in some important ways.. When using any...

Photoshop cs5 cho nhiếp ảnh gia part 37

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Repairing Wings Using the Patch Tool (Continued). I used it to repair all of the scale damage. I used the Patch tool in the Source mode and circled the area that needed repair, and then I moved the circle to the area that I wanted to be picked up and used.. Then I added a layer mask to that layer...

Photoshop cs5 cho nhiếp ảnh gia part 38

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Once you’ve captured the optimal exposure, you can use Photoshop to make the most of the information you’ve captured. As you’ve already seen, we make most of our exposure adjustments in Adobe Camera Raw (ACR). In this chapter, we’ll guide you through methods to fine-tune the exposure for your images in Photoshop, many of which are quite similar to those...

Photoshop cs5 cho nhiếp ảnh gia part 39

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however, there are still times you may choose to use levels within photoshop, particularly if you want to make changes to only one area of your image. We’ll talk about making localized adjustments later in the chapter, but first we’ll cover how to use levels to make a global adjustment. We recommend using levels to adjust contrast and brightness rather...

Photoshop cs5 cho nhiếp ảnh gia part 40

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Targeting Adjustments Using a Layer Mask. one of the reasons for using the tonal adjustments within photoshop in addition to those you already made in ACr is so that you can apply the changes to only certain areas of the image. You may want to do this to help emphasize your subject or to reveal detail in areas of your...

Photoshop cs5 cho nhiếp ảnh gia part 41

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Figure 6.14 shows the panels for an image where we want to lighten the subject. Click on the subject and use Color range to make the best selection you can. Figure 6.14 Since CS5 is nonmodal, you can have an adjustment dialog open while you are tweaking the mask and easily alternate between the mask and the dialog.. in some...